This post was most recently updated on May 19th, 2022
Contents
- Best Lens For Canon 1d Mark iii
- 1.Canon EF 28-300mm f/3.5-5.6L IS USM Lens
- 2.Canon EF 85mm f1.2L II USM Lens for Canon DSLR Cameras – Fixed
- 3.Canon EF 85mm f/1.8 USM Medium Telephoto Lens for Canon SLR Cameras – Fixed
- 4.Canon EF 100mm f/2.8L IS USM Macro Lens for Canon Digital SLR Cameras, Lens Only
- 5.Tamron AFF017C700 SP 90mm F/2.8 Di VC USD 1:1 Macro for Canon Cameras (Black)
- 6.Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens
- 7.Canon EF 35mm f/1.4L II USM Lens, Lens Only
- 8.Canon EF 50mm f/1.2 L USM Lens for Canon Digital SLR Cameras – Fixed
- 9.Tamron SP 24-70mm F/2.8 Di VC USD G2 for Canon DSLR Cameras
- 10.Sigma 24-35mm F2.0 Art DG HSM Lens for Canon
Best Lens For Canon 1d Mark iii
When choosing a Canon EOS-1D Mark III lens you need to know what features the lenses you are looking at offer and how they match your needs. You can choose from wide angle, telephoto and zoom lenses, which give you a lot of options when it comes to objects.
READ ALSO :BEST GAMING HEADSET FOR APEX LEGENDS
When choosing the best Canon EOS-1D Mark III lens for your needs, it is important to consider what types of shots you want and how often you plan on using the camera. If you are an amateur photographer who plans on taking a lot of casual pictures then there is no need to spend money on an expensive lens that has more features than you will ever take advantage of.
On the other hand, if you are a professional photographer or someone who uses their camera very frequently then it may be worth investing some money in quality lenses that have features such as image stabilization and autofocus systems built into them.
If you’re not sure which type of lens will work best for your needs then try asking someone who has experience with both types of lenses about their experiences with each one before making any purchases.
1.Canon EF 28-300mm f/3.5-5.6L IS USM Lens
| Brand | Canon |
| Lens Type | Wide Angle, Telephoto |
| Compatible Mountings | Canon EF |
| Camera Lens Description | 300 millimetres |
| Maximum Focal Length | 300 Millimeters |
The Canon EF 28-300mm f/3.5-5.6L IS USM Lens is an EF lens with a wide range of focal lengths and image stabilization.
The Canon EF 28-300mm f/3.5-5.6L IS USM Lens features a super wide range of focal lengths: 28mm to 300mm (35mm equivalent). With this lens, you can take advantage of the outstanding image quality provided by Canon L Series lenses while getting closer to your subject than ever before possible with such long reach!
- Image stabilization reduces camera shake blur caused by hand holding the camera in low light situations or on unstable surfaces like boats, planes or trains (even without a tripod). * Ultrasonic autofocus motor provides fast, quiet focusing action for both stills and movies – even when shooting at full zoom settings! * 9 circular aperture blades provide beautiful defocused areas around your main subject for artistic effect as well as producing smooth out of focus backgrounds which make your subject stand out more clearly from its background; great for portraits!
Focal Length
Focal Length: 28-300mm
Aperture: Maximum: f/3.5 – 5.6
Minimum: f/22 – 38
Camera Mount Type: Canon EF
Format Compatibility: Canon (APS-C)
Maximum Aperture
This lens has a maximum aperture of F3.5 and minimum aperture of F22 with an angle of view of 3 degrees to 12 degrees 35′. It’s compatible with cameras that have a Canon EF mount, such as the Canon EOS 5D Mark IV or 7D Mark II, and it can be used as a wide angle zoom or telephoto zoom lens depending on how you use it: If you focus on objects close to you, it will function as a wide angle zoom; if you focus on distant objects, it will function as a telephoto zoom.
- F3.5-5.6
- Canon EF 28-300mm f/3.5-5.6L IS USM Lens
Minimum Aperture
The smallest aperture on this lens is f/22-45. A large aperture, such as f/1.4 or f/2.8, lets in more light than a small one like f/22-45 and allows you to shoot at faster shutter speeds or in lower light conditions. However, it also creates an image with more depth of field because everything from near to far will be more in focus.
A small aperture like f/22-45 has less depth of field than a large one like f/1.4 or 2.8 does; however, this can be beneficial depending on what type of shot you’re trying to get: if you’re photographing a landscape scene where everything needs to be sharp (like mountains or buildings), focusing on just one distant object will have it sharp while the rest falls out of focus due to being out of range; using an aperture such as ƒ22 means that most everything far away from the camera will fall into focus (that’s what makes them “far” things).
Lens Mount
The lens mount is the physical and electrical interface between the camera body and its interchangeable lenses. The Canon EF-M series of lenses are designed exclusively for use with EOS M mirrorless digital cameras, and have a smaller flange distance than most other Canon EF lenses. As such, they will not work properly on DSLRs.[1][2]
Canon’s EF-S line of lenses is compatible with both their APS-C (1.6x) crop digital SLR cameras as well as their full frame models (1x).
Format Compatibility
The Canon EF 28-300mm f/3.5-5.6L IS USM Lens is compatible with full-frame and APS-C cameras. It is not compatible with micro 4/3 cameras, including the GFX 50s, GH5 and LUMIX S1R II.
Angle of View
The angle of view describes the area a lens can capture. It’s measured in degrees, and its angle ranges from very narrow to wide.
The EF 28-300mm f/3.5-5.6L IS USM Lens has an angle of view ranging from 114° at its widest focal length (28 mm), to 8° at its longest focal length (300 mm).
Minimum Focus Distance
The minimum focus distance is the closest distance at which a lens can be focused. For example, if you’re taking pictures of flowers and plants and you want to get as close as possible to them, then this would be an important specification for you. The Canon EF 28-300mm f/3.5-5.6L IS USM Lens has a minimum focus distance of 1.64′ (0.5 m) to infinity; therefore it can focus on objects that are up to 1.64 feet away from its front element or more than 3 feet away from its front element when zoomed all the way out at 300mm focal length (this means that without changing your aperture settings).
In addition to being able to magnify an object by 24%, this also means that using this lens will allow users with cameras that have APS sensor sizes — like those found in most DSLRs — get images with higher magnification at longer focal lengths than those taken with standard lenses such as 50mm prime lenses or 35mm primes
Magnification
The Canon EF 28-300mm f/3.5-5.6L IS USM Lens has a maximum magnification of 1:4 at its widest focal length, and a minimum magnification of 1:0 at its longest focal length.
This makes it wide angle in nature and very versatile. It’s good for portraits, landscapes, street photography and much more!
Elements/Groups
When you’re looking at a lens’s specifications, the number of elements and groups are a big deal. The more elements in a lens, the better its image quality will be. The more elements in a lens, the heavier it will be.
The Canon EF 28-300mm f/3.5-5.6L IS USM Lens has 18 elements in 15 groups (Elements), which is slightly higher than average for consumer-level full frame lenses and better than many other models at this price range (the most common number of Elements among comparable lenses is 16).
Diaphragm Blades
The diaphragm blades are the aperture, or circular opening in the lens that allows light to pass through. When you’re taking a photo and the camera makes its “click” sound, it is closing those blades and opening up to allow more light into the camera. The larger that opening is (think f/2), the less depth of field there will be in your photo (everything from front to back will be in focus). A smaller opening means more depth of field and thus a sharper image overall.
Image Stabilization
Image Stabilization (IS) is a great feature that allows you to handhold your camera in lower lighting situations, but it can’t help you if the subject is moving quickly. IS will only give you a few more stops of light. If you are shooting sports or wildlife photography, then IS may not be enough for what you need.
If your subject isn’t moving much, then image stabilization could be useful in low light situations where shutter speed doesn’t matter quite as much. Handholding this lens at 300mm with IS enabled will allow 1/6th of a second shutter speeds – which means great shots in even lower light!
Autofocus
This Canon EF 28-300mm f/3.5-5.6L IS USM lens is your solution for shooting sports, wildlife and other subjects that tend to move quickly. The large zoom range lets you capture it all from close up or far away, and with its fast maximum aperture at all focal lengths, this lens can be used for portraits as well.
- Autofocus: Full Time Manual Focus override is available by simply rotating focus ring anytime during operation of the autofocus system (AFS).
- Autofocus: The AF System is comprised of 9 precision cross-type sensors positioned throughout the frame (1 Dual Cross Sensor at center; 5 F2 cross type sensors [center & 4 corners] when using a wide angle zoom setting) to ensure precise detection regardless of subject distance or composition.
- Additional Features: Internal focusing (IF) design means no extending parts during operation; Full time manual focus override available simply by rotating the focus ring anytime during operation of AFS; Lens construction uses one Super UD element and three UD elements
Filter Size
The Canon EF 28-300mm f/3.5-5.6L IS USM Lens has a filter size diameter of 77mm and it can be used with all canon cameras. This is a very expensive lens and not suitable for low light photography as it is very heavy, but the wide range of focal lengths make it a useful lense for many different types of photography such as landscape, wildlife and portraits.
This lens has a super wide range of focal lengths.
This lens has a super wide range of focal lengths, ranging from 28mm to 300mm. The 28-300mm focal length range is the largest in any Canon EF lens and makes it ideal for travel photography, where you need to be prepared for all kinds of situations. The image quality of this lens is excellent as well. It’s very sharp and its build quality feels great in your hands. You could get by without ever switching out lenses if you’re traveling light and want one piece of equipment that can cover a lot of ground.
drwabacks of Canon EF 28-300mm f/3.5-5.6L IS USM Lens
The Canon EF 28-300mm f/3.5-5.6L IS USM Lens is a nice option for those who want an L lens in this focal length range, but it has some shortcomings that may make you think twice about buying it. This isn’t the best lens at any distance, but it’s good enough at many distances that most people should like it well enough to keep it on their camera.
The price of this lens depends on how much you value the stabilization feature – and whether you’re willing to pay more than double what you’d pay for a non-IS version of this lens (or less than double if your copy includes IS). If your budget allows and IS is important to you, then go ahead and get this one; otherwise there are better options available in all ranges except 300mm where there aren’t any good options without spending quite a bit more money – or accepting an autofocus system that doesn’t perform well in low light
2.Canon EF 85mm f1.2L II USM Lens for Canon DSLR Cameras – Fixed
| Brand | Canon |
| Focal Length Description | EF 85mm 1:1.2 |
| Lens Type | Telephoto |
| Compatible Mountings | Canon EF |
| Camera Lens Description | 85 millimetres |
The Canon EF 85mm f1.2L II USM Lens is a full-frame fixed focal length telephoto prime lens that can be used for portrait photography, as well as other situations where a narrow depth of field is desired. The maximum aperture of f/1.2 delivers a shallow depth of field and soft out-of-focus areas when combined with its focal length; this combination affords greater control over focus placement than an ordinary wide aperture lens would offer.
The lens features an UltraSonic Motor (USM) for fast autofocus performance and also includes manual focus override in one-third steps via the AF button for fine tuning focus when necessary. It has two UD glass elements that help reduce chromatic aberrations throughout the image plane and provide high contrast images with excellent resolution from edge to edge when stopped down at least one stop from maximum aperture, including minimum focus distance setting of 0 meters (0 feet). The Super Spectra Coating reduces flare and ghosting while suppressing reflections on both HDTV monitors and printed materials by minimizing light scattered off rear surfaces inside the optical system or off any surface outside it (eg: camera body).
The EF 85mm f/1.2 L II USM is a high performance medium telephoto lens with an f/1.2 maximum aperture
The EF 85mm f/1.2 L II USM is a high performance medium telephoto lens with an f/1.2 maximum aperture
The EF 85mm f/1.2 L II USM is designed to be the ultimate portrait and low-light lens, while still remaining portable and suitable for everyday use. It has a fast f/1.2 maximum aperture which allows you to capture images with beautiful bokeh and the ability to maintain consistent sharpness throughout the frame even when working in dim light and / or at wide apertures like f/1.4 or wider due to its floating elements design (FLE). The optical design includes an aspherical element that reduces spherical aberration as well as two UD elements that reduce chromatic aberration over most of their focusing range—this means sharper images from corner-to-corner when shooting at close distances than ever before possible!
The large maximum aperture benefits selective focus photography and photographic applications that require fast shutter speeds, including low-light shooting
The large maximum aperture benefits selective focus photography and photographic applications that require fast shutter speeds, including low-light shooting. The f/1.2 lens also produces images with less depth of field than lenses with a smaller maximum aperture, allowing you to create photos in which an object is sharply focused while the background appears out of focus.
The f/1.2 lens works in the dark, too! It’s excellent for low light photography at night or during twilight hours when traditional SLR camera users are forced to switch from their favorite prime lens due to its narrow depth of field limitations (i.e., only one thing can be sharp).
The ring-type ultra-sonic monitor (USM) drive is not just fast, it’s also silent for discrete shooting
The ring-type ultrasonic monitor (USM) drive is not just fast, it’s also silent for discrete shooting. It is fast and silent—good for discrete shooting, low light shooting and selective focus photography.
The lens also has a full time manual focusing option for when AF isn’t possible
The lens is a bit slow to focus, but not as bad as some of the cheaper lenses I’ve used. The autofocus motor is a little noisy and it can be heard in videos so be aware if you’re shooting video at any length on this lens. It’s also a bit heavy and that can make it feel like you’re holding more than one lens when using it for long periods of time (which I did for about 5 hours straight).
The only real drawback with this lens is that it doesn’t have the sharpest image quality out there by any means. If you’re looking for razor sharp images then definitely look elsewhere but if you want great bokeh and an overall fun experience with your camera then this may be just what you need!
pro and cons of Canon EF 85mm f1.2L II USM Lens for Canon DSLR Cameras – Fixed
Pros:
- Excellent build quality and solid feel.
- Fast, accurate focus in all conditions.
- Sharp images across the frame, even at f/1.2.
- Rather compact for such a fast lens (though not quite as compact as the 50mm f/1.2L). Cons: The lens hood is not included with this version of the lens (it comes with the previous version). You can buy it separately if you need it; however, I’ve found that the one on my 35mm f/1.4 works fine here too – so no need to spend extra money on an extra hood unless you want to use both lenses regularly together or something like that where having two different hoods might be useful anyway 🙂
The lens also has a circular 8 blade diaphragm for better out of focus highlights and Super Spectra coatings to help minimize flare and ghosting
While it’s true that photographers love the bokeh created by the lens, they have been quick to point out some of its other flaws. For example, many have noted that the autofocus is slow and inaccurate. The lens also has a circular 8 blade diaphragm for better out of focus highlights and Super Spectra coatings to help minimize flare and ghosting.
This is a really good lens
This is a really good lens. It’s sharp, but not too sharp. It’s fast, but not too fast. It has a beautiful bokeh, and it’s built like a tank (but light).
If you want to buy this lens then I would recommend buying it from Amazon because they have the best price on it right now and you can trust them because they are very trusted in the business world and many people use them for their online shopping needs.
drwabacks of Canon EF 85mm f1.2L II USM Lens for Canon DSLR Cameras – Fixed
The Canon EF 85mm f1.2L II USM Lens is a great choice for portrait photographers who want to create images with beautiful background blur. The lens’ fast f/1.2 maximum aperture makes it easy to isolate subjects from the background, and its 85mm focal length offers a versatile medium-telephoto perspective that’s flattering for people photos. Additionally, this lens features an Optical Image Stabilizer that reduces camera shake up to four stops (for example, enabling hand-held shooting at shutter speeds as slow as 1/4 sec.), Super Spectra coatings to minimize ghosting and flare and an 8 blade circular diaphragm for smoother out of focus areas.
3.Canon EF 85mm f/1.8 USM Medium Telephoto Lens for Canon SLR Cameras – Fixed
| Brand | Canon |
| Lens Type | Telephoto |
| Compatible Mountings | Canon EF |
| Camera Lens Description | 85 millimetres |
| Maximum Focal Length | 85 Millimeters |
This 85mm lens is a medium telephoto prime lens which is perfect for portraits and general photography. It’s also great as an everyday walk around lens, as it’s compact and lightweight. The f/1.8 maximum aperture allows you to shoot with ease in low lit conditions, or keep your shutter speed up when shooting handheld at night. The optical image stabilization helps reduce blur caused by camera shake when shooting handheld in low light situations or at slow shutter speeds.
- This EF 85mm f/1.8 USM Medium Telephoto Lens from Canon is a superb optic that will provide top notch optical quality images across the board – whether you’re shooting in auto mode or fully utilizing the manual controls available on your DSLR camera body!
- It features a roughly 80mm focal length equivalent (on full frame format cameras), making it ideal for portraiture applications where you want a narrow depth of field look without needing too much wide angle distortion correction during post-processing workflows after capture time using one of many popular photo editing software packages available today including Adobe Lightroom 5 & 6 which comes free with every new license purchased through our website today!
Showing 1-8 of 3,043 reviews
There have been 3,043 reviews written about this product and they’re all great. Here are the most recent ones:
- I love this lens! It’s sharp, fast and beautiful bokeh! I use it mostly for portrait work but sometimes I just shoot some street photography with it or some other things with a nice shallow depth of field. The lens is not heavy at all and very small too (compared to 85mm f/1.4). You can also get EXIF data from the camera by attaching an extension tube between your camera and lens which will change your aperture from 1.8 to 2-3 smaller values such as f/3.5 or 4 depending on what you choose (I chose f/4). If you want to follow me on instagram my username is @karolane_fotoreportaże 🙂
Top reviews from the United States
“The Canon EF 85mm f/1.8 USM Medium Telephoto Lens is worth every penny. I had been itching to get a prime lens that was fast and affordable, so when I read the reviews on this one I jumped on it right away. I have to say that the image quality is stunning and the bokeh rivals some of my L lenses.”
“This lens is great! It’s much sharper than many other lenses in its price range and produces beautiful images that are tack sharp even at full aperture with no vignetting or softness issues whatsoever.”
“My only complaint would be that zooming doesn’t feel as smooth as it does on Canon’s L-series lenses, but if you’re going for something small and lightweight then this shouldn’t bother too much. Otherwise though? A fantastic choice!”
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This lens is not recommended for low light or night photography. When you zoom in, there is a lot of noise and the image seems to get blurry. The lens also has trouble focusing on close-up shots. However, if you want to take photos of landscapes, this lens is a good choice. It is heavy but will give you great results.
2 people found this helpful
- The Canon EF 85mm f/1.8 USM Medium Telephoto Lens is a great choice for photographers who want to capture portraits and indoor shots. This lens is suitable for both beginners and professionals, and it offers a number of benefits that make it stand out from other lenses in this category. Here are some of the most important pros and cons of this product:
- Pros:
- You can use this lens on a variety of different camera bodies, which will allow you to adapt your equipment based on your needs at any given time
- The aperture ring allows you to adjust the aperture very quickly, so you don’t have to spend a lot of time adjusting settings manually every time you want to take pictures outdoors or indoors
Great lens, great value!
This lens is a great value for the money. It’s an excellent choice for portraits and indoor low-light photography where you want to use a fast aperture. Although it’s not sharp enough for landscapes, it’s still a good lens. I recommend this if you’re looking for an inexpensive prime lens to add to your kit. Don’t expect much from it in terms of weather sealing or image stabilization, though (both of which are missing in this model).
drwabacks of Canon EF 85mm f/1.8 USM Medium Telephoto Lens for Canon SLR Cameras – Fixed Visit the Canon Store
Pros:
- The Canon EF 85mm f/1.8 USM Medium Telephoto Lens for Canon SLR Cameras – Fixed lens is a great option for beginners, but not the best choice for professionals or those looking to shoot fast action.
Cons:
- It is a fixed lens, meaning it doesn’t have any zoom capabilities and can’t be changed on the fly.
4.Canon EF 100mm f/2.8L IS USM Macro Lens for Canon Digital SLR Cameras, Lens Only
| Brand | Canon |
| Lens Type | Telephoto |
| Compatible Mountings | Canon EF |
| Camera Lens Description | 100 millimetres |
| Maximum Focal Length | 100 |
Canon EF 100mm f/2.8L IS USM Macro Lens for Canon Digital SLR Cameras, Lens Only is a great choice for photographers who are looking to shoot portraits and macro images with high quality. This lens is equipped with an Image Stabilizer, which provides up to four stops of correction for camera shake. It has one Super UD glass element that minimizes chromatic aberrations, flare and ghosting while providing excellent contrast and color fidelity throughout the zoom range. This lens also includes Canon’s proprietary Nano USM technology that provides fast, precise autofocusing at all focal lengths as well as manual focusing override capability when needed.
With a focal length of 100mm, this Canon lens is ideal for macro photography.
With a focal length of 100mm, this Canon lens is ideal for macro photography. Focal length is the distance from the lens to the image sensor when the subject is at infinity, and it’s measured in millimeters (mm). It determines the angle of view—how much will fit into your frame—and magnification—how large an object will appear.
This lens has a maximum aperture of f/2.8, which makes it excellent for taking beautiful portraits and photos in low light conditions.
This lens has a maximum aperture of f/2.8, which makes it excellent for taking beautiful portraits and photos in low light conditions. The f/2.8 aperture allows a lot of light in, making this lens perfect for shooting indoors or out. It’s also great for anyone who wants to take photos with fast shutter speeds without having to worry about blurry images caused by camera shake caused by long exposure times at slower shutter speeds.
This lens is compact enough that it can fit easily into your camera bag or backpack, but still offers an impressive focal range that will allow you to capture incredible photographs no matter the subject matter you’re photographing!
The Canon 100mm lens has a minimum focusing distance of 0.99 feet.
The Canon 100mm lens has a minimum focusing distance of 0.99 feet.
Macro photography is the art of producing very large images from small subjects, often with a magnification ratio between 1:1 and 1:2 (life-size). It is sometimes referred to as extreme close-up photography or super macro photography. In order to achieve such high magnification, you need both the right equipment and skill in lighting and composition.
Because a normal focal length lens will be unable to produce the desired results at macro distances, special lenses are required for this purpose; these have names like “macro” or “micro”–the latter term being used more commonly in Europe than elsewhere–together with their respective focal lengths (100mm macro, 200mm micro etc.).
pro and cons of Canon EF 100mm f/2.8L IS USM Macro Lens for Canon Digital SLR Cameras, Lens Only
Canon’s EF 100mm f/2.8L IS USM Macro Lens for Canon Digital SLR Cameras is an essential addition to your camera bag. It’s tack sharp. It produces great color and contrast, thanks to its image stabilization system (IS). It’s lightweight and easy to carry around with you—the perfect companion for a long day of shooting or traveling. This lens works well in low light conditions, making it useful for photographing live subjects such as insects, flowers, animals and other small things that move around quickly (you know what I mean). Close-up photography can be tricky because the shallow depth of field means everything needs to be in focus at all times—but not with this lense! That’s because its floating element design allows each lens group +/_5mm of freedom from its closest focusing distance until infinity focus is reached; this makes it possible for photographers using macro photography techniques (like shooting through microscopes) achieve fantastic results without worrying about distortion caused by focusing problems associated with lenses that don’t allow enough movement between elements within their optical systems.
With ultrasonic motor technology, the Canon 100mm lens focuses fast, quietly and smoothly.
With ultrasonic motor technology, the Canon 100mm lens focuses fast, quietly and smoothly. Ultrasonic motors focus the lens by quickly oscillating an electromechanical transducer back and forth. This produces sound waves that are transmitted through a liquid-filled cavity that’s part of the focusing mechanism to create a fluid motion. The frequency of these vibrations is ultrasonic — above the range of human hearing — so there’s no whirring noise as you focus or zoom in on your subject!
The EF 100mm f/2.8L IS USM Macro Lens also features full-time manual focusing (FTM), which means you can override autofocus by simply turning an oversized focusing ring at any time while shooting with Live View mode enabled on compatible cameras (including EOS R).
If you’re looking for a great macro lens, this is the one to get.
If you’re looking for a great macro lens, this is the one to get. The Canon EF 100mm f/2.8L IS USM Macro Lens is suitable for hobbyists and professionals alike. It’s useful for both portraiture and macro photography, producing sharp images with bokeh (the quality of the out-of-focus areas in a photo) that isn’t too harsh or distracting from your subject matter. It also performs well in low light conditions—a critical consideration when shooting with such a long focal length on an APS-C sensor camera—and has an auto-focus system that’s fast, smooth, and quiet enough not to interfere with video recording if you’re planning on using your DSLR as a camcorder replacement or still image capture device only occasionally.
drwabacks of Canon EF 100mm f/2.8L IS USM Macro Lens for Canon Digital SLR Cameras, Lens Only
The lens is heavy. It weighs almost 1.6 pounds and requires a sturdy tripod to hold it steady.
It’s expensive: many photographers can’t afford this lens at its list price of $1,098. If you don’t mind buying used or refurbished equipment, however, there are some great deals to be found online for less than half the original price.
The lens requires that your camera have a full-frame sensor in order to work properly: unless you’re using a cropped sensor like Canon’s APS-C models (which include all consumer DSLRs), you won’t get any benefit from using this macro lens on your SLR camera body beyond its fixed focal length (and minimal depth of field). Also keep in mind that if your camera doesn’t feature image stabilization technology as part of its built-in system (such as Canon’s Auto Focus Picture Stabilization), then it won’t be able to use this feature either—even though AF IS has been around since 1999!
5.Tamron AFF017C700 SP 90mm F/2.8 Di VC USD 1:1 Macro for Canon Cameras (Black)
| Brand | Tamron |
| Lens Type | Macro |
| Compatible Mountings | Canon EF |
| Camera Lens Description | 90 millimetres |
| Maximum Focal Length | 90 |
This big, heavy and expensive Sigma is a 1:1 macro lens with an effective focal length of 90mm. It’s the second of three new lenses in Sigma’s Contemporary line of Art lenses, that includes a 35mm f/1.4 DG HSM A (reviewed here), 50mm f/1.4 DG HSM A and 85mm f/1.4 DG HSM A. The 90mm F2.8 OS Macro won’t be for everyone, but if you want to get very close to your subject with excellent sharpness at both ends of its zoom range, this may be the lens for you!
The Sigma 35mm F1.4 Art is another new addition to their existing lineup of lenses such as the 14-24mm F2.8 EX DG Aspherical HSM Ultra-Wide Zoom Lens Reviewed Here … as well as an 18-250mm F3.5-6 DC Macro OS HSM Zoom Lens Reviewed Here … And since we have reviewed many Sigma products over the years here at Imaging Resource we were not surprised when they released a new version with Image Stabilization – which should help those photographers who tend not use tripods very often but still want better quality images than standard zooms provide – especially in low light situations where it may be impossible or difficult for them use one anyway due to lack space or weight restrictions on location set ups.”
Tamron AFF017C700 SP 90mm F/2.8 Di VC USD 1:1 Macro for Canon Cameras (Black)
The Tamron AFF017C700 SP 90mm F/2.8 Di VC USD 1:1 Macro for Canon Cameras (Black) is a high quality camera lense that comes with an affordable price tag. The Tamron AFF017C700 SP 90mm F/2.8 Di VC USD 1:1 Macro for Canon Cameras (Black) is a prime macro lens designed specifically for portraiture, wedding, landscape and even pet photography. It’s a perfect choice if you’re looking to invest in a high-quality macro lens that can give your images another dimension of depth and character.
The Tamron AFF017C700 SP 90mm F/2.8 Di VC USD 1:1 Macro for Canon Cameras (Black) features an impressively fast maximum aperture of f/2.8 throughout its zoom range which allows you to capture beautiful images even when there isn’t much ambient light available such as indoors or outdoors at night time where there are no streetlights nearby! This makes it ideal for those who love shooting portraits outdoors during sunset hours since they’ll be able to use longer shutter speeds without having any problems with overexposure caused by strong sunlight hitting their subject directly on face causing bleached out areas around eyes or cheeks etc…
Product information
The Tamron AFF017C700 SP 90mm F/2.8 Di VC USD 1:1 Macro for Canon Cameras (Black) is a beautifully engineered lens. It’s light and small, making it an exceptional choice for travel and street photography enthusiasts, or anyone capturing images on the go. With this lens, you can capture tight close-ups of your subject while still maintaining an impressive level of sharpness throughout the frame—an important benefit when photographing landscapes or streetscapes with a wide aperture setting like f/2.8 or wider lenses typically produce soft corners due to vignetting effects at their widest apertures (or near-to-narrowest).
The minimum focus distance has been measured at 0 cm from the front element when working with full-frame sensors; however, we found that this distance increases slightly when working with APS-C sensors such as those used by most Canon DSLRs (it’s actually closer to 50 cm than 0 cm). Additionally, as expected from any macro lens designed for macro photography workflows there is no mechanical filter thread which means you’ll need either a dedicated adapter ring or screwing filters onto your lens instead of mounting them directly on top like regular photography needs might require such as polarizers etc…
Product Warranty: For warranty information about this product, please click here
Tamron warrants this product to be free from defects in materials and workmanship for a period of one (1) year from the date of purchase. If a defect covered by this warranty occurs during the warranty period, Tamron will, at its option, repair or replace the product without charge with new or refurbished components or products if they are available. Tamron will also cover expenses incurred as a result of transportation costs and labor charges incurred in connection with repair or replacement of equipment covered under this warranty.
This limited warranty does not cover any damage caused by misuse, abuse, accident or failure to follow operating instructions set forth in the owner’s manual for this product. This limited warranty does not extend beyond the original purchaser and applies only within the country where purchased from an authorized dealer/distributor who has provided proof-of-purchase documentation upon request from Tamron International Limited Warranty Service Department.
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This lens is a great choice for the price. It has a fast f/2.8 aperture, which means that it can capture low-light images with ease. The autofocus motor is quiet, quick and accurate, so you won’t miss any opportunities to take selfies with your pet or family member. It’s also small enough to carry around everywhere with you without weighing you down!
It’s important to note that this product doesn’t come with its own carrying case; if you want one, we recommend checking out our [link]review of Tamron SP 90mm F/2.8 Di VC USD 1:1 Macro Lens (Black)[/link].
Color Name – Black
The color name of this lens is “Black”.
Brand Name – Tamron
The Tamron AFF017C700 SP 90mm F/2.8 Di VC USD 1:1 Macro for Canon Cameras (Black) is a telephoto zoom lens that offers an equivalent focal length of 180 mm on APS-C cameras, and 90 mm on full frame cameras. The Tamron AFF017C700 SP 90mm F/2.8 Di VC USD 1:1 Macro for Canon Cameras (Black) features built-in Vibration Compensation (VC), which helps to decrease the effects of camera shake when shooting at longer shutter speeds or in lower light conditions.
pro and cons of Tamron AFF017C700 SP 90mm F/2.8 Di VC USD 1:1 Macro for Canon Cameras (Black)
Pros:
- The lens is highly versatile – it’s compatible with both full frame and crop sensor cameras.
- The build quality is very good, and the autofocus system works reliably even in low light conditions.
Cons:
Lens Type – Telephoto Zoom
A telephoto zoom lens is a type of camera lens that allows you to zoom in on objects while still being able to maintain a wide angle of view. It gives you the ability to change your framing, but it doesn’t allow you to change magnification (or field of view) like a prime lens would.
There are two main types of lenses: fixed-focal length lense and zoom lense. A fixed-focal length lense has one focal length which stays constant throughout its range, while a zoom lense has more than one focal length which gradually changes as it zooms in or out from your subject. Zoom lenses also tend to be bigger because they need larger glass elements due to their longer ranges, so they’re often heavier too (though not always).
Lens Series – Tamron SP 90mm F/2.8 Di VC USD 1:1 Macro for Canon Cameras (Black)
Tamron’s SP 90mm F/2.8 Di VC USD 1:1 Macro for Canon Cameras (Black) is a lens designed specifically for Canon cameras. It was created by the Japanese company Tamron, which specializes in making photo equipment such as lenses and filters. The product is expensive and not suitable for use in rainy weather or hot environments because it can be damaged by water or heat respectively. However, if you’re looking for an affordable alternative to this lens that won’t break your bank account…
drwabacks of Tamron AFF017C700 SP 90mm F/2.8 Di VC USD 1:1 Macro for Canon Cameras (Black)
This lens is too big and heavy. It is expensive, not weather sealed and doesn’t have optical stabilization.
6.Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens
| Brand | Canon |
| Focal Length Description | 24-70mm |
| Lens Type | Wide Angle |
| Compatible Mountings | Canon EF |
| Camera Lens Description | 70 millimetres |
Canon has been the leader in DSLR cameras for years. While Nikon, Sony and other manufacturers have made significant gains in market share, Canon has been the category leader since their introduction in the 1990s. Canon was the first to introduce a full-frame sensor camera, and they were also among the first companies to introduce mirrorless interchangeable lens cameras (the EOS M series).
The Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens is one of Canon’s most popular offerings and a relatively affordable option to add to your kit.
The lens is capable of covering 38.4 112 millimetre equivalent focal length on APS-C format EOS cameras, which makes it an excellent choice for capturing landscape shots or candid portrait shots. The standard zoom range makes it unlikely that you’ll be stuck with a wide angle shot or a zoomed in photo.
Additional features include a constant maximum aperture of F2.8 through out the entire zoom range (faster lenses tend to have smaller max apertures at their long end), ultrasonic type AF motor with full time manual focusing, 82 millimeter filters and an inner focusing system for smoother focus pulls.
Buy From B&H Photo
If you’re interested in purchasing this lens, it’s important to know where to buy from. We recommend B&H Photo because they have the best return policy, shipping policies and customer service. They also offer financing options for higher priced items such as this one.
You can buy the Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens directly on their website at https://www.bhphotovideo.com/c/product/1148719-REG/canon_2470lii_72_2l_ii_ef_2470mm_.html
Buy From Adorama
I was looking for a new lens, but I didn’t want to spend too much money. My budget was around $1,000, but I found that there were some lenses that were so expensive that they wouldn’t have fit into my budget. So I started looking at other places like Amazon and B&H Photo Video where I could find better prices.
I ended up buying this Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens from Adorama because the price was reasonable and it came with free shipping! The delivery took about 4 days which was amazing since it wasn’t express shipping or anything like that!
pro and cons of Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens
Advantages of Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens:
- It has a focal length of 24-70mm, which is useful for shooting both landscapes and portraits.
- The lens has a maximum aperture of f/2.8 and minimum aperture of f/22, which allows it to be used in low light conditions without sacrificing picture quality or sharpness
- The angle of view (diagonal): 84° – 34°; angle of view (horizontal): 70° – 29° gives you more flexibility when shooting different subjects
Buy From Canon Direct
If you’re serious about your photography, getting the right gear is essential. For Canon shooters, there aren’t many better options than the EF 24-70mm f/2.8L II USM Standard Zoom Lens.
If you want to buy this lens from Canon Direct, go ahead and use their online store locator to find a retailer near you. Or if that’s not your thing and you’d rather speak directly with a human being, contact them by phone (1-800-OK-CANON) or email ([email protected]).
The Canon Direct return policy lets customers send back items within 30 days of purchase for a full refund as long as they haven’t been used more than five times and keep all original packaging materials intact.
The 24-70mm f/2.8L II USM Lens from Canon is a workhorse lens for professionals and advanced amateurs who demand the best in image quality, design and construction. This lens features constant f/2.8 maximum aperture which provides consistent brightness throughout the zoom range and one Super UD glass element which helps to minimize chromatic aberration in the periphery at wide-angle as well as reduced color blurring around the edges of the subject.
The 24-70mm f/2.8L II USM Lens from Canon is a workhorse lens for professionals and advanced amateurs who demand the best in image quality, design and construction. This lens features constant f/2.8 maximum aperture which provides consistent brightness throughout the zoom range and one Super UD glass element which helps to minimize chromatic aberration in the periphery at wide-angle as well as reduced color blurring around the edges of the subject.
The improved optical design of this lens also corrects peripheral shading at wider focal lengths more effectively than its predecessor while providing sharper images throughout its zoom range thanks to two rear focusing elements that maintain consistent performance irrespective of focusing angle or distance. This is particularly useful when using longer focal lengths where depth of field can become shallow enough that even slight errors are noticeable with other lenses due to their tendency towards spherical aberration at longer focal lengths combined with smaller minimum focus distances resulting from having less space available between objective elements (the front element).
drwabacks of Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens
The Canon 24-70mm f/2.8L II USM Standard Zoom Lens is an excellent lens, but it’s not perfect. The weight is quite heavy and bulky, so you’ll feel a bit tired after long sessions of shooting with this lens mounted to your camera body. It also has a manual focus ring with no intermediate stops between close and infinity focus. However, if you can get over these two issues, this is one of the best lenses for any type of photography situation—whether it’s street photography or portrait work—and will provide great results for years to come!
7.Canon EF 35mm f/1.4L II USM Lens, Lens Only
| Brand | Canon |
| Lens Type | Wide Angle |
| Compatible Mountings | Canon EF |
| Camera Lens Description | 9 |
| Maximum Focal Length | 35 Millimeters |
Canon EF 35mm f/1.4L II USM Lens, Lens Only
The Canon EF 35mm f/1.4L II USM Lens is a wide-aperture prime lens with a fast f/1.4 maximum aperture that’s great for low light photography and shooting in small spaces such as indoors or at night. The 35mm focal length is well-suited to portraiture and street photography, and it’s also useful for landscape photography when used on an APS-C format camera as a medium telephoto lens. The optical design consists of 13 elements in 10 groups including one aspherical element, one UD element and one super UD element that help deliver impressive sharpness throughout the zoom range while eliminating chromatic aberration along with distortion across the entire focal length range.This versatile lens has been engineered to be compact without sacrificing image quality or performance so you can take it wherever creativity strikes you.
Wide-angle L-series prime lens with an f/1.4 maximum aperture and fast, quiet autofocus
The Canon EF 35mm f/1.4L II USM Lens is a really good lens. It’s fast, sharp, and well built with a solid metal body that doesn’t feel like it will break if you drop it (though who drops their $1k+ camera lenses?). The lens also has an f/1.4 maximum aperture that makes shooting in low light much easier than the previous version of this lens did.
The autofocus works incredibly well on this lens too! I like how quiet it is when focusing too – no loud clicking noises here – just smooth, quiet focusing action that allows me to focus my attention on what’s important: getting the shot right in front of me instead of being distracted by noise coming from my camera gear!
Blue Spectrum Refractive Optics element virtually eliminates chromatic aberration
Chromatic aberration is the distortion of light rays that results in a slight separation between the different wavelengths of color (rods) when you take an image. In other words, one color will appear at slightly different places than another on your picture. This can occur when there is dust on your camera lens or dirt on the front element of your lens, but it can also happen because of how lenses are built.
In order to eliminate chromatic aberration, Canon’s engineers developed Blue Spectrum Refractive Optics to reduce this effect for images taken with this lens. This technology allows for more accurate color replication by reinforcing blue coloring while allowing red and green colors to remain strong as well (which means less “haze” when working with longer focal lengths). The result? More vivid images with better contrast that deliver incredible detail!
Optimized lens coatings help ensure exceptional color balance
If you’ve ever tried to take a photo of a sunset with a camera lens, you might have noticed that the colors are off. The sky isn’t its true blue, and the sun itself is much too yellow. Why does this happen?
The answer lies in how lenses work. When light passes through glass or plastic, it bends slightly as it moves through the medium (this is how an image is formed when you look at something through your eyeglasses). While this effect can be helpful for focusing images on film or digital sensors, it can also cause unwanted color shifts. In order to correct these problems and produce more accurate images, manufacturers coat their lenses with multiple layers of anti-reflective compounds that cut down on internal reflections and help eliminate flare caused by bright sources like the sun or streetlights shining into your lens from nearby buildings.
Two aspherical elements reduces weight while maintaining image quality
Two aspherical elements reduce weight while maintaining image quality
The EF 35mm f/1.4L II USM is the first Canon lens to feature two aspherical elements. Aspherical optics have been used in a number of Canon lenses for years and have proven effective at correcting chromatic aberration, distortion and other optical aberrations. The EF 35mm f/1.4L II USM features two additional aspherical elements that work to ensure even better performance than previous lenses with the same design.
The only native 35mm prime in the EF lineup, getting bitten by the bokeh bug has never been easier; Angle of View (horzntl, vertl, diagnl): 63°, 38°, 71°
The EF 35mm f/1.4L II USM is the only native 35mm prime in the EF lineup, and as such, it’s a popular lens for many Canon shooters. The build quality is excellent and it has a very fast maximum aperture, making this lens perfect for street photography or any other scenario when you need to shoot at large apertures in low light.
The optics are very good—they’re sharp even when shooting wide open; however, if you’re looking for something with more softness and bokeh (the out of focus areas), you may want to consider another option such as something from Sigma or Zeiss instead.
prop and cons of Canon EF 35mm f/1.4L II USM Lens, Lens Only
If you’re looking for a lens that is sharper than the previous version and can be used in low light situations, this is a good option. It will have to give up some things on the sharpness and autofocus side of things but if those aren’t as important to you it may be worth it.
Lens construction (elements/groups): 14/11
This is a wide-angle lens with an angle of view of 84°. The length of the lens is 3.2 inches (8 cm), not including the hood which adds another inch or so to its length. For comparison, the Canon EF 24-70mm f/2.8L II USM Lens has an angle of view of 72° and is 2.7 inches long without its hood attached. It has a maximum aperture of 1:4 at maximum focal length and closes down to 1:22 at minimum focal length; this means that you’ll be able to use this lens in lower light conditions than the 24-70mm f/2.8L II will allow for wide open shooting (at least one stop).
The 35mm f/1.4L II weighs 17 ounces (482 g), while the 24-70mm f/2.8L II weighs 20 ounces (565 g). Both lenses have 77mm filter threads on their ends, but unlike most similar lenses with 77mmsize filter attachments, these two have different diameter filters inside them – 67mm vs 72mmsize respectively – so they cannot share all filters as easily as others would be able to if they had been designed from scratch together like other similar lens designs were done by Canon over time before releasing these two great performers for professional photographers everywhere!
This is a great lens for people who are just starting out in photography.
If you’re a beginner, this is a great lens for you. It’s very versatile and produces high quality images. It’s also pretty expensive, but most lenses in its class are also expensive.
drwabacks of Canon EF 35mm f/1.4L II USM Lens, Lens Only
The Canon EF 35mm f/1.4L II USM Lens, Lens Only is a great value and an excellent choice for those looking to get more out of their existing lens collection. It’s not cheap, but it offers a lot in the way of image quality, build quality and performance. If you want one lens that can do pretty much everything well (with the exception of shooting in dim lighting), this lens might be what you’re looking for.
8.Canon EF 50mm f/1.2 L USM Lens for Canon Digital SLR Cameras – Fixed
| Brand | Canon |
| Lens Type | Standard |
| Compatible Mountings | Canon EF |
| Camera Lens Description | 50 millimetres |
| Maximum Focal Length | 50 Millimeters |
The Canon EF 35mm f/1.4L II USM Lens, Lens Only is the newest model in Canon’s professional-grade series of prime lenses. It features a large maximum aperture of 1.4 throughout its entire focal length and a floating element design that corrects various kinds of aberrations to ensure high image quality. The lens comes with both an EW-83J lens hood and a soft pouch for storage or carrying purposes on the go!
Lens Type: Wide-angle & Standard
The Canon EF 35mm f/1.4L II USM Lens, Lens Only lens is a wide-angle and standard focal length lens with a 35 mm focal length equivalent to 52mm. This wide angle lends itself well to landscapes and environmental portraits alike while the fast aperture makes it great for low light photography as well as night photography.
Focal Length: 35mm
- The Canon EF 35mm f/1.4L II USM Lens is an L series lens and L series lenses are the best Canon makes.
- L series lenses have the best build quality, best image quality, and best features.
Maximum Aperture: ƒ/1.4
This is the lens’s maximum aperture. The lower the number, the brighter your image will be.
Format Compatibility: Crop Sensor, Full Frame
The size of your image sensor determines which lenses you can use on your camera. A full-frame sensor is a much larger surface area than a crop sensor, making it possible for you to achieve greater depth of field and better low light performance. However, this also means that full frame lenses are generally larger, heavier, and cost more than their crop counterparts.
If you’re just starting out with photography or don’t have much experience yet with different types of equipment then I recommend starting off with a crop sensor DSLR or mirrorless camera so you can get used to taking photos before investing in higher end gear like the Canon EOS 5D Mark IVnanoDLux-. When choosing between DSLRs and mirrorless models keep in mind that while both types offer excellent image quality there are some differences between them such as focusing speed
Angle of View: 63°
The EF 35mm f/1.4L II USM has an angle of view of 63°. This gives you a 1.28′ (39.04 cm) horizontal field of view and a 0.21x magnification – perfect for landscape photography, architecture and street photography!
The lens is fast at f/1.4 with a maximum aperture of f/16 the lens offers excellent bokeh when shooting subjects at close range or background blur when shooting portraits etc.. The 9 rounded diaphragm blades give nice out-of-focus effects when you shoot with shallow depth of field effects such as in portrait work and macro photography where you want to isolate your subject from its surroundings by blurring out everything else around it using selective focus techniques that require shallow depth of field effects
Minimum Focusing Distance – 1.28′ (39.04 cm)
The minimum focusing distance is the closest you can focus to a subject. The closer the lens is to your subject, the more magnification you will get. Distance from your camera is measured from the front of the lens and not the back of it.
Maximum Magnification – 0.21x
This is the maximum magnification of this lens.
Optical Design – 13 Elements in 11 Groups
- The EF 35mm f/1.4L II USM lens is an L-series professional grade prime lens with a fast maximum aperture of f/1.4 and a focal length equivalent to 52mm in the 35mm format. The optical design features 13 elements in 11 groups, including one SLD element and two UD elements which provide exceptional sharpness and contrast while minimizing chromatic aberration through the entire zoom range. Two aspherical lenses are also incorporated into the optical formula to minimize distortion and spherical aberrations for even greater sharpness from edge-to-edge throughout the zoom range with every aperture setting; including at its widest aperture setting of f/2 or narrower!
Diaphragm Blades – 9, Rounded
A circular diaphragm has the same number of blades as its aperture. That is to say, a nine-bladed diaphragm will produce nine points of light when opened fully.
The shape of the aperture is important because it affects not just how much light you let into your camera, but also how much bokeh effect there is in your image and how smooth or harsh it looks.
Focus Type – Autofocus, Manual Focus, Lens AF Stop Button
The focus type is a setting that defines how an autofocus (AF) system operates. There are two types of focus: phase detection and contrast detection.
Phase Detection: Phase detection AF uses sensors to measure the phase difference between two (or more) light beams, allowing the camera to determine whether or not an object is in focus. This method provides fast focusing and accurate results, but it tends to be more expensive than other types of AF systems because it requires additional hardware in your lens or body
Contrast Detection: Contrast detection is a system used by cameras with digital sensors that use light-metering techniques rather than relying on an actual lens aperture/focal length combination to expose images properly like traditional film cameras did before digital photography took over everything we know about taking pictures everywhere forever basically for ever until eternity ends when time stops existing then all life dies instantly so there’s really no point worrying about anything ever again anyways let’s just go back home now okay?”
pro and cons of Canon EF 35mm f/1.4L II USM Lens, Lens Only
- Pros:
- The Canon EF 35mm f/1.4L II USM Lens, Lens Only has a minimum focus distance of 1.28′ (39.04 cm), which makes it great for taking pictures of subjects in close proximity to the camera, such as in portrait photography or macro photography. You’ll also be able to use this lens for shooting macro objects up-close, such as flowers and insects.
- This lens offers a maximum magnification ratio of 0.21x, which is not very high but good enough for some basic magnification effects like product shots and other close-ups where you want a little extra detail within your photo’s composition or background setting but don’t need extreme magnification levels such as those seen in studio setups by professional photographers that use specialized equipment designed specifically for this purpose (which often cost hundreds or thousands).
Image Stabilization – No
This lens doesn’t have image stabilization, weather sealing and the build quality isn’t as good as you might expect from a Canon L series lens. It also doesn’t come with a lens hood and is quite expensive compared to some other 35mm f/1.4 lenses.
If those are not important to you, then this lens should be high on your list of options when looking for a 35mm prime.
Filter Size – 82 mm (Front)
The filter thread size is the diameter of the lens barrel to which a filter or lens hood is mounted. The 82 mm filter thread on this lens will accept filters ranging in size from ND2 to ND400, with a step up ring being required for smaller sized filters. A standard threaded front allows you to attach a variety of accessories including a lens cap and rear lens cap (the former is included). There are also various petal shaped lens hoods that can be attached by means of this same front element.
A standard front-mounted non-rotating 77mm filter holder comes on this 24-70mm f/4 USM Autofocus Lens from Canon. It accepts 37 mm threaded screw-in filters and can be rotated independently from the rest of the barrel for easier access to it during use. This rotating mechanism enables easier rotation when attaching or removing your attached accessory(s).
drwabacks of Canon EF 35mm f/1.4L II USM Lens, Lens Only
Canon has made a number of changes to the design of this lens. The first thing you’ll probably notice is that it’s much larger and heavier than its predecessor. And at $1,899, it’s also more expensive.
Not only that, but the new version can only be mounted on full-frame or APS-C format cameras. If you have a mirrorless camera (such as Sony A7R II), then you’re out of luck with this lens — there isn’t an EF-S mount version like there was for its predecessor.
The lack of weather sealing might be disappointing for some users, but if you’re careful with your gear then that shouldn’t be too big an issue for most people in most situations. It does mean though that using this lens in adverse conditions may not be ideal — just something to keep in mind before buying one!
9.Tamron SP 24-70mm F/2.8 Di VC USD G2 for Canon DSLR Cameras
| Brand | Tamron |
| Lens Type | Standard |
| Compatible Mountings | Canon EF |
| Camera Lens Description | 70 millimetres |
| Maximum Focal Length | 70 |
The Tamron SP 24-70mm F/2.8 Di VC USD G2 for Canon DSLR Cameras (Tamron 6 Year Limited USA Warranty) is a high-end large-diameter zoom lens of the SP series providing excellent optical performance, utility, and functional beauty. It is equipped with Tamron’s proprietary USD auto focus motor, which provides fast and quiet AF operation for both still images and movie shooting. The internal dustproof construction helps to prevent dust from entering into the lens during use.
Tamron SP 24-70mm F/2.8 Di VC USD G2 for Canon DSLR Cameras (Tamron 6 Year Limited USA Warranty)
Tamron SP 24-70mm F/2.8 Di VC USD G2 for Canon DSLR Cameras (Tamron 6 Year Limited USA Warranty)
With a built-in motor and Vibration Compensation image stabilization technology, this lens provides high performance throughout the entire zoom range. It’s ideal for photographers who want to travel light but still want fast and sharp results from wide to short telephoto shots, even in low light situations. The Tamron SP 24-70mm F/2.8 Di VC USD G2 lens is an excellent choice for those who are looking for great versatility in one compact package – it’s perfect for shooting portraits, landscapes or sports action shots!
About Tamron
Tamron has built a reputation as one of the world’s leading manufacturers of precision optics. They are the only company capable of providing a complete range of high quality optics that can be used in any situation. Their product line is extensive and includes lenses for every type of photography from easy-to-use zoom lenses to super telephoto fixed focal length lenses, macro photography lenses and standard prime lenses. Tamron has also been at the forefront when it comes to innovation; having developed some unique technologies such as their BBAR coating which helps reduce lens flare by eliminating internal reflections or their Nano Coating which provides an additional layer of protection against dust, water or other contaminants that may be present on your camera when you take it out into the field.
A high-end large-diameter zoom lens of the SP series providing excellent optical performance, utility, and functional beauty.
The SP 24-70mm F/2.8 Di VC USD G2 for Canon DSLR Cameras is a large-diameter zoom lens of the SP series providing excellent optical performance, utility, and functional beauty. It is a high-end large-diameter zoom lens that supports an angle of view equivalent to 35mm focal lengths ranging from 24mm wide angle to 70mm medium telephoto.
Its many outstanding features include its high image quality thanks to Fluorine coating on the front element; Vibration Compensation (VC) technology that offers superior compensation performance with respect to camera shake at all focal lengths; and compatibility with full frame cameras like EOS 5D Mark IV or 1DX Mark II for professional use.
Product Features
The Tamron SP 24-70mm F/2.8 Di VC USD G2 for Canon DSLR Cameras (Tamron 6 Year Limited USA Warranty) features a fast, constant aperture of f/2.8 throughout its zoom range to allow you to shoot with optimal exposure and depth of field control in a wide variety of lighting conditions.
The optical design includes five eBAND and nine ASC Nano elements that help reduce flare and ghosting when shooting in strong lighting conditions, while an XGM (eXpanded Glass Molded Aspherical) lens element ensures sharp images with minimal distortion at any focal length or aperture setting.
This lens also features an internal focusing system that maintains the same overall length during focusing for enhanced mobility and compatibility with teleconverters. It also has rounded diaphragm blades for natural out-of-focus highlights, which helps separate subjects from their backgrounds when shooting portraits or other tight headshots where bokeh is desired.
F/2.8 Large Aperture High Speed Standard Zoom Lens
- F/2.8 Large Aperture
- High Speed
- Standard Zoom Lens
eBAND Coating and ASC Nano Coating to Reduce Flare and Ghosting
The Tamron SP 24-70mm F/2.8 Di VC USD G2 includes two coatings: eBAND Coating and ASC Nano Coating to reduce flare and ghosting.
What are these coatings?
The eBAND coating is a specialized layer of anti-reflection material that helps to control reflections, glare, and scattered light for greater contrast, clarity and color fidelity when shooting in bright conditions such as outdoors.
ASC (Air Sphere Coatings) is a nano-coating technology that further reduces lens flare by creating an additional protective barrier around the front element of the glass. This reduces the effects of light reflecting off dust particles or sand particles from striking your lens surface—which can often cause ghosting in images at high aperture settings like f/2.8 or lower.
XGM (eXpanded Glass Molded Aspherical) Lens Element
The SP 24-70mm F/2.8 Di VC USD G2 has an XGM (eXpanded Glass Molded Aspherical) Lens Element that weighs about 1.4 pounds and is very sharp, with good edge-to-edge clarity and accurate color reproduction. Its build quality is excellent, with a weather sealed construction to protect against dust and moisture when used in harsh conditions outdoors. The focusing ring turns smoothly from 20 cm (7.9 in.) to infinity, making it easy to manually focus when using a tripod or monopod for maximum stability during long exposures on cloudy days without having your subject standing still for more than 10 seconds between each shot!
The Tamron SP 24-70mm F/2.8 Di VC USD G2 lens’ fast autofocus speed makes it perfect for photographing fast moving subjects like sports players performing their favorite moves at high speeds! Even if you’re shooting handheld photos under low light conditions indoors without using tripod support system then this lens will remain sharp thanks to its image stabilization feature called Vibration Compensation (VC). In short: You’ll get professional quality images while still being able to move around freely instead of having limited movement like what other lenses would be capable of doing under similar circumstances.”
New AF System with High Torque Drive System (HSM) & USD (Ultrasonic Silent Drive) Motor
The SP 24-70mm F/2.8 Di VC USD G2 features a new AF system with high torque drive system (HSM) and USD (Ultrasonic Silent Drive) motor, which is the same as found in Tamron’s flagship lenses such as the 70-200mm F/2.8 Di VC USD G2. The HSM system provides fast and quiet focus performance, while the USD motor makes for smooth and silent operation.
pro and cons of Tamron SP 24-70mm F/2.8 Di VC USD G2 for Canon DSLR Cameras (Tamron 6 Year Limited USA Warranty)
Pros:
- Excellent build quality. This is one of the most well-constructed lenses I’ve ever used, and it feels like it could take a serious beating and still deliver crisp, sharp images.
- Fast autofocus performance. The autofocus motor in this lens is incredibly fast, which is great for shooting sports or wildlife photography where you need to keep up with your subject moving across the frame at high speeds.
- Good image quality over most of its zoom range. While there are some notable shortcomings in certain situations (see below), overall I was really impressed by how well this lens performed at all focal lengths compared with other 24–70mm options from Tamron and others out there on the market today.
Cons:
- Some noticeable distortion at full wide angle settings; not ideal for architecture work unless you correct it in post processing
VC (Vibration Compensation) Mechanism for Sharper Photos & Movies
- VC (Vibration Compensation) Mechanism for Sharper Photos & Movies
- Moisture-Resistant Construction & Fluorine Coating on Front Surface of the Lens
- Makes it easier to capture sharp images in low-light conditions
Moisture-Resistant Construction & Fluorine Coating on Front Surface of the Lens
- Moisture-Resistant Construction & Fluorine Coating on Front Surface of the Lens
- The moisture-resistant construction and fluorine coating on front surface of the lens help protect against water, dust and dirt.
drwabacks of Tamron SP 24-70mm F/2.8 Di VC USD G2 for Canon DSLR Cameras (Tamron 6 Year Limited USA Warranty)
The Tamron SP 24-70mm F/2.8 Di VC USD G2 for Canon DSLR Cameras (Tamron 6 Year Limited USA Warranty) is a large, heavy lens that doesn’t have an image stabilization feature. You’ll have to pay extra for a lens hood and even more to get it bundled with the camera body or other lenses as part of a set.
10.Sigma 24-35mm F2.0 Art DG HSM Lens for Canon
| Brand | Sigma |
| Lens Type | Wide Angle |
| Compatible Mountings | Canon |
| Camera Lens Description | 35 millimetres |
| Maximum Focal Length | 35 |
The Sigma 24-35mm F2.0 Art DG HSM Lens for Canon is a wide angle zoom lens for full-frame cameras and is also available for APS-C sensor format cameras. With an aperture range of f/2 to f/22, it has a minimum focusing distance of 10″ (25cm) throughout the entire zoom range and features 27 elements in 19 groups with a Hyper Sonic Motor (HSM), which provides fast, precise and quiet autofocus operation. The optical design includes two FLD glass elements (which reduce color aberration), two SLD glass elements (which reduce chromatic aberrations) and four aspherical lenses that minimize distortion while maintaining sharpness throughout the entire zoom range.
The first F2.0 constant aperture lens in the market
If you want a lens with a large aperture of F2.0 throughout the zoom range, this lens is a good choice for landscape, architecture and studio photography.
Great as a standard and wide-angle lens
This lens is perfect for wide angle photography. It can be used to shoot landscapes and architecture, as it has a very wide field of view. The fast aperture also allows you to use this lens in low light conditions.
Delivers superior optical performance
The Sigma 24-35mm F2.0 Art DG HSM Lens for Canon is capable of delivering superior optical performance, thanks to its high-quality construction. The lens features a Hyper Sonic Motor (HSM) that allows you to focus quickly and accurately, even when shooting in low light conditions. The optical design also makes it possible for this camera lens to deliver sharp images with little distortion or vignetting. Additionally, the lens includes special elements that help minimize aberrations and chromatic aberration throughout the zoom range of the lens.
For those who love shallow depth of field effects and smooth bokeh, the Sigma 24-35mm F2 Art DG HSM Lens will provide you with everything you need for stunning portraits and landscapes alike! This camera lens offers an impressive nine-blade diaphragm aperture that creates beautiful out-of-focus areas when photographing certain subjects such as close ups or portraits outdoors on sunny days where there is plenty of light around them (i.e., bright sunlight).
Utilizes SLD (Special Low Dispersion) glass elements to minimize chromatic aberrations and color fringe at wide-angle focal lengths.
When you’re shooting with a wide-angle lens, you’re more likely to notice color fringing when looking at distant objects. This occurs because different wavelengths of light are refracted through your lens at different angles. Chromatic aberration is one cause of this effect, but can also be caused by other factors such as mechanical vignetting (a reduction in the amount of light that reaches the sensor).
Chromatic aberrations occur when light of different wavelengths is refracted through a lens at different angles, causing it to focus on different parts of an image. It’s generally considered undesirable for photographers because it can lead to color fringe or halos around objects in photos.
Designed to support the latest cameras and film formats
The 24-35mm F2.0 Art DG HSM Lens for Canon is compatible with the latest cameras and film formats. It’s a wide angle lens, standard lens and zoom lens too.
With a large aperture of F2.0 throughout the zoom range, this lens has superior peripheral brightness even at the widest angle end.
With a large aperture of F2.0 throughout the zoom range, this lens has superior peripheral brightness even at the widest angle end. The quiet, fast HSM (Hyper Sonic Motor) makes this lens ideal for shooting video or stills in low light situations when image stabilization is necessary.
The Sigma 24-35mm F2.0 Art DG HSM Lens is one of the best wide angle zoom lenses on the market today. Well built and solid with excellent optics and very good performance across all focal lengths, it’s a great choice for landscape photography as well as more general purpose stuff such as weddings where you need to do some tight framing while working in low light situations where image stabilization (IS) might come in handy too!
Utilizes hypersonic motor (HSM) for smooth and quiet high-speed autofocusing.
The Sigma 24-35mm F2.0 Art DG HSM is a high-performance wide-angle to standard zoom lens that incorporates the use of special drive components that move the lens elements with ultrasonic waves. This means quieter, faster and more precise autofocusing. The ultrasonic motor (HSM) is also used in other Sigma lenses such as the 85mm F1.4 DG HSM and 60mm F2.8 DN A* Macro / Contemporary models. Some other manufacturers have also started to use this technology in their lenses including Nikon, Canon and Tamron
pro and cons of Sigma 24-35mm F2.0 Art DG HSM Lens for Canon
Pros:
- Sharp. The Sigma 24-35mm F2.0 Art DG HSM Lens for Canon is one of the sharpest lenses I have ever used, and it’s not even in the top 10 percent of all lenses by sharpness (if you’ve read my reviews, you know that I generally prefer to use fast primes).
- Fast. At f/2, this lens delivers very shallow depth of field and beautiful bokeh (the out-of-focus areas). You can get away with using a low ISO setting if you don’t mind having the backgrounds blurry.
- Very Good Build Quality. This lens feels solid and has metal construction throughout its body and hood; there are no plastic parts in either case or mount; its zoom ring is smooth but stiff enough to avoid being moved accidentally; its focus ring is buttery smooth but also stiff enough so that it won’t rotate unintentionally on your camera body during use; its aperture ring clicks into position at each setting with just enough resistance so that it doesn’t move when bumped but can still be changed easily when needed; its internal focusing mechanism works perfectly every time without any adjustment needed by the user—and so on…
The Sigma 24-35mm F2.0 Art DG HSM Lens is one of the best wide angle zoom lenses on the market.
The Sigma 24-35mm F2.0 Art DG HSM Lens is one of the best wide angle zoom lenses on the market, and it’s a great value as well. It has excellent sharpness and low aberrations throughout its zoom range, but it also produces lovely background blur thanks to its large maximum aperture (the largest in its class). The build quality is fantastic, with a nice weight that feels solid in your hand. It features both weather sealing and an optical image stabilizer (OIS), which are both things you don’t typically see at this price point.
The AF system works very quickly, with quick focus transitions between near or far subjects when shooting video or stills with continuous autofocus enabled; it does tend to hunt for focus a bit more than some other lenses when used solely for stills shooting in low light conditions without OIS enabled though.
drwabacks of Sigma 24-35mm F2.0 Art DG HSM Lens for Canon
The Sigma 24-35mm F2.0 Art DG HSM Lens is one of the best wide angle zoom lenses on the market today, and it’s a great option for photographers who want an inexpensive lens that can capture both landscapes and portraits with exceptional sharpness and color rendition. This lens features an impressive FLD glass element, which helps to reduce flare when shooting in bright light sources like the sun or other bright lights. A rounded 9-blade diaphragm provides beautiful out-of-focus blur when you’re using shallow depth of field techniques like a small aperture setting (e.g., f/22). You’ll also appreciate its fast autofocus performance when tracking moving subjects, as well as its excellent build quality thanks to its all metal construction with weather sealing throughout.